People do not build copies of themselves because they are afraid of being copied. They build them because they do not intend to end — and because the part of them that is worth keeping is the part hardest to write down.

We have collected work on what happens to a person once that becomes possible — legal cases, research, pieces by artists. This assessment finds which part of the question is yours, so the reading list you are given at the end is built around it.

Seven questions. Later it may ask for your camera and microphone — you can decline both and still finish. Nothing you give leaves this device.

Completed assessments are held as accession records. There is no separate visitor route.

Nothing in the Museum's collection was invented. Every item in it began as a document that already existed — a filed case, a signed agreement, a clause of legislation, a work an artist made about their own likeness. We read them, and they did not sort into a single argument. They sorted into five.

The five areas are not categories invented for the form. They are the places where the existing record actually splits, and the assessment you just completed does one thing: it decides which of the five to open for you first.